In my last post I talked about problems coming up with ideas for complicating my plot.
One of the problems was a pet idea I had for a scene, an idea I loved. I wasn’t willing to murder that darling and so I waited, and thought, and waited some more. My pet scene takes place in a location far removed from every other scene in the story. I needed to come up with a reason why the hero would be in this far off location just for the pet scene. At the same time, I wanted to complicate my plot and make things much more tricky for the hero. Last week when these issues first troubled me, I saw them as unconnected elements. Two separate problems that had nothing to do with each other. I also wasn’t asking myself very many questions.
As the week went by, my failure to resolve these story problems began to nag at me more and more. When your story has problems, each day that passes without solving them feels like a waste of time. The clock is ticking. You want to finish this story someday, right? Of course. It was then I started interrogating myself:
“Is this pet scene involving the hero really necessary?” Yes.
“Does it have to take place in that far off location?” Yes.
“Okay then. What reasons would the hero have for going there in the first place? Something related to the main plot.”
Then I thought of my other problem — the one involving plot complications. “What part of my main plot would work as geography complication? Could I take something from my main plot, and create the need for the hero to solve something far away from where the other scenes take place?”
BINGO. It turned out there was something easy from my main plot that made perfect sense to place somewhere else, another city, forcing the hero to travel. Now I can have my pet scene take place without clashing with the main story. And forcing the hero to the remote location helps complicate the plot in several ways.
In order to solve your story problems, you need to ask the right questions.





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