Quantum Storytelling

The Probabilities of Storytelling

Skywalking an Intellectual Property

Skywalking

A few facts & observations from Skywalking: The Life and Films of George Lucas,

“When he finished editing American Graffitti in February 1972, Lucas went right to work on his idea. He wrote each morning and spent the rest of his time researching fairy tales, mythology, and social psychology.”

Notice the start date for Star Wars was five full years before it was finished in 1977. Intellectual properties take a lot of time, energy, and research to develop. Remember that you’re not just writing a story. You are creating a universe, characters, and unique mythology.

“As usual, George had difficulty getting his ideas on paper; he decided to write a story treatment (an expanded synopsis), rather than a complete screenplay. By May 1973, he had completed a bewildering 13 page-page plot summary.”

Note the 1973 date. It was over a year from the start date that he had a very messy 13 page treatment. Progress on new I.P. can be slow and frustrating. Even guys like Spielberg and Lucas are not immune.

“Star Wars ruled Lucas’s life. He carried a small notebook in which he jotted down names, ideas, plot angles–anything that popped into his head.”

A Moleskine? Carry with you a way to jot ideas wherever you go, no matter what. You never know when and where an idea might strike you.

“He was struggling to create a new universe, a reality that did not exist outside his imagination.”

This statement reveals more than you might think for its simplicity. We often view our work as “writing a book,” or “telling a story,” but the reality is a lot more complicated than that. We are synthesizing new worlds. Until we order the ideas and events, these unique new worlds exist only in our heads. If anyone else is ever to see and understand them, there is a tremendous amount of work to be done to make those ideas not only strong, but relevant and relatable.

“Infusing a fluid, dramatic movie with a moral structure was a task Lucas dreaded. He had dozens of story elements, but no cohesive plot. His characters evolved and adapted like proto-organisms. He couldn’t decide where to begin and where to end Star Wars. Morality was the least of his problems.”

Even the legendary George Lucas had problems in putting together his vision. Our modern society, especially in the United States, is caught up in this myth of the overnight success.

Someone arrives on the scene with an amazing, world-changing piece of work and we all assume it appeared out of nowhere like magic. This is how many have treated the phenomenon of Star Wars — it was just another movie cranked out by the system, from one guy who happened to get lucky? Such a view goes beyond ignorance in my opinion, and into the realm of outright stupidity.

Five years to develop an I.P. is par for the course, and not a walk in the park. Lucas suffered from anxiety and hypertension, to the point of illness. He pulled his hair out. He couldn’t finish treatments and scripts. At times he felt powerless, or even helpless, and blamed himself.

Being only human, he struggled just as we do to organize and clarify our ideas. And he spent years doing it before he could see his vision in its final glory. If we think we are going to skate by suffering any less than he did we are sorely mistaken. This is the price of admission for creating a new intellectual property, and why the barrier is so high.

“Lucas’s first draft screen-play took a year to complete, until May 1974.”

In many of the screenwriting books I’ve read, there are claims plastered throughout that a script can be written in two weeks or a month. Sure it can. As National Novel Writing Month proves, so can a novel. Just about anything can be created in a two week or one month time frame. But it won’t be Star Wars. An I.P. of that magnitude takes time and a lot more heartache.

“Lucas sent Alan Ladd, Jr., a synopsis of his second draft on May 1, 1974.”

“…the second screenplay was finished on January 28, 1975.”

“The third version was delivered August 1, 1975.”

We’re talking an entire year for the second draft. Don’t feel bad if your magnum opus is taking a long time. You have to push forward in spite of the odds, and be prepared to sacrifice the number of years required for hard synthesis.

If you take anything from a book like Skywalking, take at least the knowledge that creators like George Lucas have already walked down the same path and succeeded, so you know it’s possible.

At the very least, you’re not alone.

 

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  1. KG

    Thanks so much for this synopsis. It’s always reassuring to read that even the greats have to work hard at it. We are all human, and we all struggle to create what we envision.

    An entire year for a second draft? Perhaps greatness just takes time.

  2. Stace

    Ditto the comment above. A very timely reminder for me!

  3. Eric von Rothkirch

    That’s what struck me when reading the book. Successful creators are often mythicized, and as a result we tend to get this collective ignorance of the fact they struggled… all you ever hear about is their success, not what they had to endure to get it.

  4. strugglingwriter

    This sounds like a very interesting book and this post was interesting. I grew up loving Star Wars, so this sounds fascinating. Does it get into what happened with the “prequels”?

  5. Eric

    It covers them very briefly at the end of the book. I don’t mind that info wasn’t in there…

    One thing the book does have is detailed descriptions of the early versions of the original stories, and that’s where a lot of the prequel material came from. Star Wars was originally supposed to be about Mace Windu.

    From reading it, I get the idea that lot of what’s in the prequels were things that were cut or revised from the originals (Episode 4 - 6).

    From a creative development standpoint it explains a lot why 1-3 aren’t as good as 4-6 (nostalgia aside).

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