From Slice of Sci-Fi:
“What is wrong with American viewers that they would rather watch some washed-out hack actors dance the mambo than watch some really great fantasy-fun drama like “Heroes.” — It’s truly a sick world.”
Couldn’t agree more.
As soon as the iPad inspired a slurry of Android clones I’m sure more than a few writers thought, “Now I can write that novel or screenplay in bed, waiting at the doctor office, or yes, even while sitting on the toilet!” But wait! Not so fast. How does the state of the art stack
Why shower crayons work: Routine. It forces us to focus and make decisions, even if it’s only for a few minutes a day. You don’t need hours, days, or weeks to make a decision. Most decisions can take place within a few seconds. Even the most creative thorny problems. You may not find the best
Novelists usually work by a process of drafting. They write straight through to a 1st draft. Then they change the things they don’t like in the 2nd draft, and iterate into a 3rd, etc. Drafting is a linear process. Plotting, also sometimes called ‘blocking,’ is used by script writers to establish economical scene flow.
Oct
17
Posted by : | On : October 17, 2007
From Slice of Sci-Fi:
“What is wrong with American viewers that they would rather watch some washed-out hack actors dance the mambo than watch some really great fantasy-fun drama like “Heroes.” — It’s truly a sick world.”
Couldn’t agree more.
Oct
17
Posted by : | On : October 17, 2007
I’ve dived back into another round of improving my scenes. I want things to really shine. It’s not enough to convey a piece of information or for characters to do a satisfactory job in playing a part. At the very least I want each scene to leave the reader with curiosity about what happens next. I say the very least because I also want at least some of my scenes to leave the reader with a sense of “Oh my… I can’t believe that just happened.”
It’s the same thing I get from a good TV show or movie. Example?
Oct
16
Posted by : | On : October 16, 2007
I saw this courtesy of SF Signal.
“When Hollywood isn’t busy cranking out sequels, it’s scouring Earth for stories and characters that will save them the hassle of coming up with their own.”
Further proof that properties favoring a home medium don’t do very well outside of the native environment. Of course, James Bond, Indiana Jones, and Star Wars don’t seem to have that problem.
You do the math. Forget mediums, it’s all about franchises.
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